Showing posts with label Formosa Betrayed. Show all posts
Showing posts with label Formosa Betrayed. Show all posts

Oct 25, 2009

"Formosa Betrayed" - Coming to theaters near you (including in Austin) February 28, 2009

I have it on good authority that Formosa Betrayed will be shown in theaters in the Austin area beginning on February 28, 2009 (the 62nd anniversary of the 2-28 Incident in Taiwan). See press release below announcing Distribution.

1680 N. Vine St., Suite 906, Hollywood, CA 90028

| P: 323-465-8885 | F: 323-465-8886 |

info@formosathemovie.com | www.formosathemovie.com

For Immediate Release:

SCREEN MEDIA FILMS PICKS UP “FORMOSA BETRAYED” HOLLYWOOD, CA – October 23, 2009 – Screen Media Films has picked up worldwide rights to Formosa Betrayed, a political thriller set in the 1980s, which made its international debut at the Montreal World Film Festival.

Formosa Betrayed is the initial project for Formosa Films, a newly formed production company created by actor/writer/producer Will Tiao. Adam Kane (Heroes, Pushing Daisies, Mercy) directs his feature debut.

Story is inspired by actual events. An FBI Agent investigates the murder of an Asian professor at a small college. Agent follows the fleeing killers to Taiwan, where he finds himself on a collision course with the FBI, the State Department, the Chinese Mafia, and the Government of the Republic of China.

James Van Der Beek plays the FBI Agent and Wendy Crewson plays a US diplomat in Taiwan. John Heard, Tzi Ma, Will Tiao, Leslie Hope, and Kenneth Tsang round out supporting cast.
Tiao, a former international economist with the Clinton and Bush Administrations, raised the funds for the $8 million project from private equity based on concept, and has nearly 300 investors in the project. Investment bank Berthel Fisher Financial Services provided completion funds.

Formosa Betrayed recently screened for Members of Congress in Washington DC, which was highly attended due to heightened interest in US-Taiwan-China relations. Film also recently won Best Picture and Best Actor for Van Der Beek at the San Diego Film Festival, and Audience Award for Best Narrative Feature at the Philadelphia Asian American Film Festival.

In addition to Montreal, San Diego, Washington DC and Philadelphia, Formosa Betrayed has also screened at Hollywood Film Festival, New York Asian American Film Festival, DC APA Film Festival, and will be screening at the Sao Paulo International Film Festival and St. Louis International Film Festival.

Formosa Betrayed is to be released in theaters in February 2010 in 15-20 North American cities.

Screen Media will rep worldwide rights and begin selling territories at the European Film Market in February 2010. Deal was brokered by Ben Weiss at Paradigm and Kevin Mills of Kaye & Mills LLP. In addition, Formosa Films and Berthel Fisher have announced the creation of a new $20 million fund, focused on television and film production. Formosa Films is already in prep on two film projects starting in Spring 2010 – JUVY, about juvenile delinquents, with Kane to direct and Tiao to produce, and THE DOORMAN about the underground goings-on of the Plaza Hotel, with Abel Ferrara to direct and Tiao to produce.

Contact:
Formosa Films
Evita Huang
info@formosathemovie.com
1680 Vine St., Suite 906
Hollywood, CA 90028
(323) 465-8885

October 8, 2009


Selected Formosa Betrayed Media Coverage


October 8, 2009

Variety – "’Moon’ Shines on Hollywood Festival"


October 8, 2009

Screen Daily – “HFF Announces Line-Up, Hollywood Movie Awards Nominees”

October 5, 2009

ABC Radio Australia – “New movies addresses Taiwan’s turbulent past”

October 1, 2009

Express Night Out – “Moving Pictures: Asian Pacific American Film Festival Offers Something for Everyone”

September 27, 2009

NBC San Diego – “Bang For Your Viewing Buck”

September 27, 2009

NBC San Diego – “Varsity Blues to Global Blues”


Aug 9, 2009

Understanding Taiwanese Identity: Strange Threesome

I'm on the email list of a fellow son-in-law of Taiwan, Jerome F. Keating, who happens to live there in Taipei and happens to write about the politics of the island nation. I was particularly intrigued by the title of his latest essay, Me, Freddy Lim, Chiang Kai-shek, Art and Taiwanese Identity: Confessions of a Rainbow-Chaser, which I am hereby sharing with the readers of my blog, few though they may be.

I've met Freddy Lim (and he's one of my Facebook friends) and I've visited Chiang Kai-shek Memorial Hall before it was renamed to Democracy Hall, which name it seems now was only temporary. Too bad it's name has been changed back to CKS Memorial Hall. I would have liked to have visited a Democracy Hall in Taiwan.

Which reminds me of my personal attempt to use art to inform the discussion of Taiwanese Identity and Taiwan Independence. I'm speaking of the independent film, Formosa Betrayed in which I am invested, in part to memorize my late son, Daniel Maximus-Ping Bradberry and his late Taiwanese Grandfather, Mr. Chung, who lived though the White Terror period (1949-1987) in Taiwan when CKS, his son Chiang Ching-kuo, and the the rest of the Kuomintang (KMT) met their needs at the expense of the majority of the Island, i.e. at the expense of the native Taiwanese people.

You can watch the Formosa Betrayed trailer on YouTube by clicking here.

Back to Freddy. I will never understand his music and have no desire to listen to it, but I do understand his passion to display his and his fellow countrymen's Taiwanese Identity and commitment to keep Taiwan free and independent. If you are into black metal music there is no other artist I could steer you to and certainly no more loyal partiot of Taiwan that is trying to use his art to reach out to world with the message that Taiwan is for the Taiwanese and freedom loving people, period.

You can check out the wiki page for Freddy's band, Chthonic, here.

Me, Freddy Lim, Chiang Kai-shek, Art and Taiwanese Identity: Confessions of a Rainbow-Chaser

by Jerome F. Keating Ph.D.


Taiwanese will not find their true identity as an island nation until they fully realize the indoctrination and brain-washing they endured under Chiang Kai-shek (CKS). They will not find their true identity until they realize that he had nothing to do with them except to take advantage of them in their hour of need and to exploit them in his hour of need. It is for this reason that one of the saddest and most disappointing things to recently happen in Taiwan has been the changing of the name of Democracy Hall back to that of Chiang Kai-shek Memorial Hall. This move is a step backwards for democracy in Taiwan and symptomatic of Ma Ying-jeou’s attempts to fabricate past credibility for his Sino-centric (not Taiwan-centric) government.

Allegedly there was to be a discussion of the matter of this name change (read that a move typical of Ma’s lip service hypocrisy). However, totally lacking was any detailed record or publication of this discussion and its proportion, i.e. who specifically was for the re-naming and who was against it, what polls were taken, what percentage of the people supported it etc. No, before Taiwan knew it and while the Kaohsiung World Games distracted the country, the name was changed back. Perhaps Ma felt a discussion with Taiwan-basher Kuo Kuan-ying was sufficient.

For this reason I found myself drawn into a strange but real threesome, between myself, Freddy Lim and Chiang Kai-shek. Strange? Here was I a university professor, writer, and former Manager of Technology Transfer on Taipei and Kaohsiung’s Mass Rapid Transit (MRT) Systems, Freddy Lim the lead singer of Chthonic a popular Taiwanese black metal band, and CKS the dead dictator responsible for bringing the latest group of beggars that wanted to take over the temple of Taiwan (乞丐趕廟公).

It was during this same name restoration that I imagined Freddy stole a thought from my mind. For when I first heard that the name of the dead dictator (CKS) was going to be restored to the memorial, I pondered. If Taiwanese could not stop this name from being forced down their throats, then how could they protest it? What could they do particularly with the huge statue of CKS there?

First I imagined that teams of loyal followers of Su Beng would periodically and symbolically douse the walls of that white marble mausoleum with red paint to symbolize the numerous deaths that CKS was responsible for in both 2-28 and the subsequent white terror period. This constant red stain on the marble walls would be a steady reminder of the barbarism of that man. If a more dramatic action was desired, I pictured some loyal Taiwanese getting a bazooka or shoulder missile launcher and from a distance placing a shot right through the chest of the statue of CKS. A statue with its guts blown out; now that could be a possible solution.

Then symbolic expressions flitted through my mind. What would be the way for a more symbolic criticism? The statue is gigantic; it could not be removed by simply lifting it by crane. When installed, the memorial had been built around it. In Kaohsiung, which had a smaller statute, it had to be cut up and taken away in pieces.

But what if the statue did not need to be removed entirely? What if the head were simply cut off and the body of the statue left there decapitated. That would be a more practical solution and yet highly symbolic. A large sign could be put in the lap of the statue stating “Let this be the end of all dictators and enemies of Taiwan’s democracy.” What could be a more fitting sign of Taiwan’s developing democracy coming to terms with its past than the headless statue of a past dictator?

It was at this point that in reading the news, I found out that Freddy Lim had already stolen my thoughts. Stole them? Well alright, this heavy metal singer didn’t really steal my thoughts; he probably doesn’t even know who I am. Instead, he simply beat me to their expression. Recently Freddy and the band had produced a new video cum song featuring the beheading of CKS and the burning of appropriate flags to boot.

This was a blending of art and reality. I knew Freddy and Chthonic from various sources and had heard them at the Free Tibet concert in Taipei this past July. They put their money where their mouth or where their music is. Heavy metal may not be your cup of tea, but whether one is into heavy metal or not, one cannot dispute Chthonic’s loyalty to Taiwan and making it a part of their art. There are no current Taiwanese musicians who feel and simultaneously express their sense of Taiwanese identity more stridently than Freddy and his band. Many singers and musicians may be Taiwanese at heart but not wanting to offend the China market they will keep their thoughts to themselves or play them low key.

Chthonic’s music on the other hand expresses the myths and history of the country. They see it as a nation with its own identity. They even make it part of their art. True, art does not always need to make such protest statements. Art can and often exists without them, but in these troubled and tumultuous times, Taiwan needs more artists like Freddy and Chthonic.


Other writings can be found at http://zen.sandiego.edu:8080/Jerome

Jul 18, 2009

About the Movie, Fomosa Betrayed

Last year I found the story below on the www.forumosa.com website but I probably read it first in my hard copy of the Formosa Foundation Newsletter (to download the particular issue, click here). I've been wanting to post it to this blog for a long time, forgetting that it had come from the Formosa Foundation Newsletter. However, the folks at Forumosa (not a Taiwanese friendly site, to say the least) insisted that they would do nothing about an offensive video loop and comments I did not want to subject my referrals to, that was next to the Forumosa post of interest. The video loop is an icon for a Forumosa.com user called "cake", who apparently is a Night Market Cop., in case you want to look him up. "Cake" copied the text from Formosa Foundation Newsletter without attribution. In this post I'm making proper attribution and avoiding that offensive video.

The story below is actually a portion of a five page story titled, Hollywood Goes Taiwanese:
Major Motion Picture Formosa Stars James Van Der Beek.

The movie is now called Fromosa Betrayed. Formosa Films, LLC considered changing the name to Formosa, but that was short lived. See
Formosa Foundation, Volumi III, Summer 2008 for the story below in its context. See the official website for the movie Formosa Betrayed here http://www.formosathemovie.com/ .

History:

Many Hollywood films have tried to shine a light on Chinese culture and politics for American audiences, though none has yet to do so from Taiwan’s unique political perspective. While films such as Red Corner, The Last Emperor, and Crouching Tiger, Hidden Dragon, are among the most well-known American films dealing with Chinese culture, those movies did not deal specifically with the political and social issues facing Taiwan and America.

Formosa Betrayed will enlighten a global audience on the real story behind Taiwan’s political history, by focusing on the tragic murder of a Taiwanese professor who was killed solely for his courage to speak out for an independent and democratic Taiwan.

Based on actual events which happened to Taiwanese professors and graduate students throughout the United States in the 1970s and 80s, Formosa Betrayed will expose for the first time the brutal techniques that the Nationalist Chinese Government on Taiwan used to quell dissent in their desire to reunite Taiwan with mainland China.

Most people outside of Taiwan and China are unaware of the history surrounding Taiwan’s political status. Formosa Betrayed will be the first opportunity for a mass audience to get a glimpse into the human story behind Taiwan’s struggle for identity on a world stage.

Story:

Formosa Betrayed is a feature film detailing the murder investigation of a Taiwanese-American professor at a Midwestern college in the early 1980s. The detective assigned to the case is a young FBI agent looking forward to an exciting career serving the United States government. However, he must solve the case before he can move on.

In his search for the murderers and their accomplices, the agent learns that there is a student spy network which focuses on the political and social activities of Chinese and Taiwanese-American students on the campus. He discovers that these “student spies” are ubiquitous on college campuses in the United States where there are Chinese and Taiwanese students.

His search for the killers takes him to Taiwan, where he learns that the suspects are members of the Chinese Mafia who have been hired by the Nationalist Chinese Government in Taiwan to silence political dissidents. He discovers that the true reason for the professor's murder was to silence an outspoken advocate of Taiwanese democracy and independence, and thus he was seen as a threat to the legitimacy of the government on Taiwan – a key U.S. ally. The hit was sanctioned by those at the highest level of power.

In his efforts to bring the killers and their accomplices to justice, he finds himself on a collision course with the U.S. State Department, the Chinese Mafia, and ultimately the highest levels of the Nationalist Chinese Government in Taiwan. In the meantime, he is aided by a mysterious woman who is tied to the Taiwanese Independence Movement and by others with competing agendas.

In the end, the detective begins to understand the complex nature of politics, identity, and power in Taiwan-U.S.-China relations – and how this relationship affects the lives and destinies of the citizens of all three countries – including his own.

Links to Reviews, et al:

New York Times Online Reviews

IMDb Listing

The Movie Trailer on YouTube
Formosa Betrayed Tagged Page